All fonts in these images are Omnes!!!
Ketchup: Standard – Black, SemiBold, Light; Narrow – Black.
Sunflower Butter: Standard – Semibold, Regular; Semi Condensed – Black; Condensed – Black; Narrow – Regular, Extra Light.
Yuzu: Standard – Semibold, Light; Semi Condensed – Black; Narrow – Black.
Mayo: Standard – Bold, Bold Italic, Regular; Condensed – Bold; Narrow – Regular.
Hot Sauce: Standard – Bold, Bold Italic, Light; Narrow – Bold, Bold Italic, Medium.
Italian: Standard – Bold; Condensed – Black; Narrow – Bold, Medium, Medium Italic, Regular, Thin Italic.
Omnes™ includes Tabular figures
Omnes™ includes Numerators and Denominators and automatically builds loose fractions
Omnes™ includes Superscript figures
Omnes™ includes Inferior figures
Omnes™ includes Ordinals
Omnes™ includes two forms of G
Omnes™ includes two forms of I
Omnes™ includes two forms of U
Omnes™ includes two forms of Y
Omnes™ includes two forms of a
Omnes™ includes two forms of e
Omnes™ includes two forms of g
Omnes™ includes two forms of j
Omnes™ includes two forms of y
Omnes™ includes two forms of 1
- Bokmöl Norwegian
- Latinized Kurdish
Conceived for Landor Associates; designed by Joshua Darden, with design and production assistance by Noam Berg, John Hudson, Thomas Jockin, Scott Kellum, Jesse Ragan, Dan Reynolds, and Eben Sorkin. Width expansion by Viktoriya Grabowska with art direction from Eben Sorkin and kerning by ikern.
Omnes™ takes the curvaceous yet crisp original and turns it up to eleven. Many robust features have been added, making it better than ever for no-nonsense editorial work. Included are a wide range of index characters with eight variations; tabular figures and punctuation for chart work and information design; true numerator and denominator figures with OpenType support for auto fractions; an array of eye-catching arrows; extended language support; and stylistic sets.
Originally conceived as the brand typeface for a national retail chain, Omnes™ meets the need for a rounded typeface which is neither overly mannered nor excessively literal in its approach. Selective rounding adds subtle texture & circumvents the ‘sausage-link’ effect, while non-geometric forms pay homage to 19th-century rounded Grotesques which appeared well before the crisp visual style of the Bauhaus.
Omnes™’s middle range is built for text use, and its weights on either end of the spectrum command a broader range of moods, from its austere, warm Hairlines to its punchy, convivial Blacks.